Faculty News: Christine Sneed’s Debut Novel

In Faculty News, congratulations to Prof. Christine Sneed. This week marked the release of Sneed’s debut novel, Little Known Facts. From the official press release:

sneed_little_known_factsThe people who orbit around Renn Ivins, an actor of Harrison Ford-like stature—his girlfriends, his children, his ex-wives, his colleagues in the film industry—long to experience the glow of his flame. Anna and Will are Renn’s grown children, struggling to be authentic versions of themselves in a world where they are seen as less-important extensions of their father. They are both drawn to and repelled by the man who overshadows every part of them.

From Los Angeles Times Book Prize finalist Christine Sneed comes the debut novel LITTLE KNOWN FACTS (Bloomsbury / February 12, 2013 / $25, hardcover), which peels back the layers of fame, family, and identity surrounding a charismatic Hollywood star. With each chapter from the point of view a different person caught in Renn’s web of celebrity, Sneed shows us the man in full and the effects of fame on the people to whom he is closest. Will, in his late twenties, is unmoored, has never had a real job. Anna is an earnest and hardworking medical intern who eventually falls for a married man of her father’s age. The first Mrs. Ivins can’t seem to keep a relationship going in the years since her marriage fell apart because no man can stand in Renn’s shadow. The second Mrs. Ivins has just published an expose titled This Isn’t Gold. Most of us can imagine the perks of celebrity, but Little Known Facts offers a clear-eyed story of its effects—the fallout of fame and fortune on family members and others who can neither fully embrace nor ignore the superstar in their midst.

With Little Known Facts Christine Sneed emerges as one of the most insightful chroniclers of our celebrity-obsessed age, telling a story of influence and affluence, of forging identity and happiness and a moral compass.

Little Known Facts is juicy enough to appeal to our prurience but smart enough not to make us feel dirty afterward…Sneed is such a gifted writer…Her depiction of both proximity to  celebrity and celebrity itself had me totally convinced.” – Curtis Sittenfled, New York Times Book Review (cover)

“An entertaining, formally inventive read …the world that Sneed creates in Little Known Facts — a blend of truth and fiction that weaves real life actors and directors into Renn’s everyday life — makes for a clever take and a fun read.” – Los Angeles Times

 “Sneed follows her award-winning short story collection, Portraits of a Few of the People I’ve Made Cry, with an ensnaring first novel that delves into the complex challenges and anguish of living with and in the shadow of celebrity. Sneed’s wit, curiosity, empathy, and ability to divine the perfect detail propel this psychologically exquisite, superbly realized novel of intriguing, caricature-transcending characters and predicaments…As Sneed illuminates each facet of her percussively choreographed plot via delectably slant disclosures––overheard conversations, snooping, tabloids, confessions under duress, and journal entries, among them—she spotlights ‘little known facts’ about the cost of fame, our erotic obsession with movie-star power, and where joy can be found.” – Booklist, starred review

Book reviews and Q&A’s with Sneed have been popping up everywhere from the Tin House blog to Time Out Chicago. You can read them all at www.christinesneed.com.

Women and Children First bookstore, located at 5233 N. Clark Street, will be hosting a release party for Little Known Facts tonight, Thursday February 21st, from 7:00 to 8:00 p.m.

Sneed will also be reading from Little Known Facts on DePaul’s campus on Wednesday, March 13th as a part of the DePaul Humanities Center’s New Voices in the Humanities series. Join her at 5:30 p.m. in the DePaul Student Center room 314 for a reception; the reading begins at 6:00 p.m. More information and a flyer to come!

Poetry Night, Love on the Road, and a Publishing Job

Design Cloud would like to invite the Depaul English department to join them on Thursday, February 21st for their first ever Poetry Night.

poetrynightPoetry Night will run from 6:30 p.m. to 8:30 p.m. Scheduled readings will fill the first hour and any and all interested poets are invited to read their work during an open mic portion during the second hour. Featured Readers include Matthew Corey, Susan Hogan, Paul Luikart, Jason Noah and Mylo Reyes.

There will be a $5 suggested donation.

Design Cloud describes themselves as, “an innovative space, a collective resource, a culture which allows our best work to be realized. At our core we are passionate creatives doing what we love. Our studio is also an art gallery fostering rising Chicago artists and curators. The intersection of art and design is our source of constant inspiration.”

Poetry Night is being held in conjunction with the Peculiar Poetics exhibition, February 1st – March 5th, 2013. Peculiar Poetics is an exhibition showcasing artists who reinvent the ordinary functions of objects into situations and moments of visual poetry, likewise poets use language to create visuals.  Poetry Night is an effort to show the importance of visual and verbal expression in both creative practices.

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An new literary project called Love on the Road has issued a call for submissions. Love on the Road 2013 will be an anthology of stories about making LOTR2013connections, from heartfelt ones ending in weddings to less high-minded ones ending in beds (or wherever). Half the stories will be about travelers meeting people far from home, and the other half about people meeting travelers passing through.

Writers can submit their 5,000-word stories any time before March 31st, 2013. There is a $10 reading fee. Two editors will choose the best 12 stories for publication and send them to a panel of judges, which includes writers and literary agents. They will pick the stories that will win the cash prizes of $200, $100 and $50.

You find out more about this anthology and how to submit at loveontheroad2013.com.

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And finally, a job opening: Chicago Review Press is seeking a Project Editor. This is a full-time position with benefits.

The project editor handles book production from approved manuscript to print for approximately 20 books a year. He or she coordinates with acquisition editors, authors, copy editors, proofreaders, indexers, and designers to shepherd books through the production process. The project editor is responsible for following schedules to meet publication dates and is directly supervised by the managing editor. He or she is expected to participate in meetings to evaluate proposals, titles, and covers. The ideal candidate has strong communication, organizational, and project/time management skills and is detail-oriented, fluent in Microsoft Word and Excel, and an experienced user of the Chicago Manual of Style. A minimum of one year of publishing experience is required. Interested candidates should forward a resume to Cynthia Sherry, Publisher, Chicago Review Press, 814 N. Franklin Street, Chicago, Illinois, 60610, e-mail csherry@chicagoreviewpress.com.

Call for Papers & A Short Story Contest

CALL FOR PAPERS
At Play in the Space Between, 1914-1945
The 15th annual conference of the multidisciplinary society
The Space Between: Literature and Culture, 1914-1945
June 20-22, 2013, DePaul University, Chicago IL

The 15th annual conference of the Space Between Society will explore the multifaceted subject of play as it relates to literature, art, history, music, theater, media, and spatial or material culture in any country between 1914 and 1945. From surrealist games to improvisational jazz, from Mrs Dalloway’s party to Archibald Motley’s Nightlife, from the exploits of the “Bright Young People” to the political games of wartime, play figures prominently in the arts and culture of this period. We invite proposals for papers considering any aspect of play—light or dark, free or controlled, experimental or entertaining. Papers that complicate or challenge conventional notions of play are also welcome. Topics might include:

  • studies of comedy, parody, burlesque, satire, laughter, or humor
  • formal or linguistic play in literature, music, art, and other media
  • theories of play or games in relation to the arts
  • representations of games or sports
  • dark, serious, subversive, or transgressive forms of play or humor
  • cultures of entertainment, leisure, or recreation
  • constructions of the interwar period as the “Jazz Age” or the “Long Weekend”
  • political or imperial games
  • play and the irrational as resistance to bourgeois culture or militarism
  • playing games with readers, spectators, listeners, or audiences
  • occasions for play: parties, salons, celebrations, flirtations, holidays, weekends, entertaining the troops
  • spaces for play: pubs, hotels, resorts, casinos, racecourses, country houses, nightclubs, music halls, picture palaces, dance halls, circuses, parks, schools
  • objects for play/playful objects: toys, games, equipment, whimsical design
  • figures associated with play: flappers, dandies, flaneurs, playboys, gamblers, speculators, athletes, children, tourists, entertainers, celebrities
  • playing with identity: costumes, disguises, impersonation, drag, passing,queering
  • hoaxes, pranks, cons, jokes, puzzles, riddles, tricks, lies, deception, propaganda
  • literature, art, or music produced by or for children or inspired by childhood

Keynote speaker: Dickran Tashjian, Professor Emeritus of Art History, University of California at Irvine, a leading scholar of New York Dada and Surrealism.
Please send abstracts of no more than 300 words along with a short biographical statement to Rebecca Cameron at rcameron@depaul.edu by 7 December 2012.
The Conference Organizing Committee includes Rebecca Cameron, Department of English, DePaul University; Analisa Leppanen, Department of History of Art and Architecture, DePaul University; Patrick Deer, Department of English, New York University; Christina Hauck, Department of English, Kansas State University.

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The Bristol Short Story Prize has recently launched their 2013 short story competition and would like to encourage all creative writing students to submit their stories. The 2013 Bristol Short Story Prize is open to all writers, UK and non-UK based, over 16 years of age. Stories can be on any theme or subject and entry can be made online via the website or by mail. Entries must be previously unpublished with a maximum length of 4,000 words (There is no minimum). The entry fee is £8 per story. The deadline for entries is April 30th 2013.

Prizes:

  • 1st – £1000 plus £150 Waterstone’s gift card
  • 2nd – £700 plus £100 Waterstone’s gift card
  • 3rd – £400 plus £100 Waterstone’s gift card

17 further prizes of £100 will be presented to the writers whose stories appear on the shortlist. All 20 shortlisted writers will have their stories published in the Bristol Short Story Prize Anthology Volume 6. The winning story will also be published in Bristol Review of Books magazine.

The 20 shortlisted writers will be invited to an awards ceremony in Bristol in October 2013 when the winners will be announced and the anthology launched. Any shortlisted writers unable to attend the awards ceremony will be sent their prizes. The awards ceremony will be part of the 2013 Bristol Festival of Literature.

The judging panel includes Ali Reynolds (literary consultant, former Random House editor), Bidisha (writer, broadcaster, critic), Anna Britten (author and  journalist), and Chris Wakling (novelist, Creative Writing tutor).

Full details and rules at www.bristolprize.co.uk.

DePaul Humanities Center Announces Winter Events

Winter quarter may seem ages away, especially to those of us preoccupied with finals, but the DePaul Humanities Center is pleased to announce to the DePaul and Chicago communities to their Winter 2013 Events, featuring selections from three current series: New Voices in the Humanities, Nostalgia and the Age of Enlightenment, and Digital Humanities.

This quarter the DePaul Humanities Center’s events will:

  • Welcome two acclaimed authors, who will read from just-published works of fiction, including DePaul English professor Christine Sneed, reading from her forthcoming novel, Little Known Facts.
  • Offer two forays into Nostalgia and the Age of Enlightenment: a public and participatory discussion about questions of value, excellence and merit in art (and beyond) in a fully-ironic postmodern age, and an examination of the problem of the past in English socialism.
  • Explore how the practice of Digital Humanities can alter our understanding of what constitutes information–unhinging it from human meaning–and what consequences may arise as a result.

Please see the flyer for event details. Further descriptions will be posted closer to the time of each individual event.

An Internship Opportunity, Free Creative Writing Classes, & a Call for Book Reviews

Academy Chicago Publishers is currently looking for two or three interns for an unpaid winter internship in the publishing industry. Zhanna Vaynberg, a recent MAWP graduate, is the managing editor at Academy Chicago Publishers in charge of finding interns, making this an especially promising opportunity for current DePaul English graduate students looking to get a foot in the door at a local independent publishing company.

Academy Chicago Publishers provides a laid-back office environment where interns can pick their hours to work around their schedules. Tasks vary from marketing & social media to reading submissions, proofreading galleys, updating the website, and more. The variety in tasks looks good on a resume and can help the intern figure out exactly which part of publishing they enjoy doing the most.

Email resumes and short (3-4 sentences) cover letter about why you’d like to join Academy Chicago Publishers to Zhanna at zhanna@academychicago.com.

If you are a current DePaul English graduate student interested in getting academic credit for this internship, please contact Internship Director Chris Green at cgreen1@depaul.edu, or check your inbox for more information.

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The weekend of December 1st and 2nd, the Northwestern MA/MFA in Creative Writing Program will offer free writing classes for the public for the eighth year. “The Apprentices: Free Community Creative Writing Classes” will take place at 405 Church St., at Northwestern’s Evanston campus. All workshops are taught by Northwestern graduate students.

The schedule is as follows:

Saturday, December 1st

  • 9 a.m. Turn off Your Brain: Using Automatic Writing for Inspiration (Patrick Bernhard)
  • 10 a.m.  From the Page to the Stage: How to Read Your Work in Front of an Audience (Dana Norris)
  • 11 a.m. A Past that Bears Repeating: Writing Historical Scenes (Rebecca Bald)
  • 12 p.m. Sneaking Past the Gatekeeper: Generating Ideas & Welcoming Creativity (Heather Cunningham)
  • 1 p.m. It’ll Be Funny Someday: A Dark Humor Workshop (Michelle Cabral)
  • 2 p.m. Embracing Ekphrasis: Writing Poetry About Art (Dane Hamann)
  • 3 p.m. It’s Not Stealing if it’s a Cento: a Poetry Workshop (Aaron DeLee)

Sunday, December 2nd

  • 9 a.m. Back to the Future: How Flashbacks Can Help Your Story  (Ross Ritchell)
  • 10 a.m. Fragmented Narrative in Fiction and Nonfiction (Jesse Eagle)
  • 11 a.m. To Tell True Stories, You Must Lie (Alex Higley)
  • 12 p.m. How I See it: Changing Meaning by Changing Point of View (Lydia Pudzianowski)
  • 1 p.m. Great Expectations: How to Subvert Readers’ Assumptions (Alisa Ungar-Sargon)
  • 2 p.m. Smash-Bang: Increase Your Story’s Impact by Ramping Up Conflict (Michael Anson)
  •  3 p.m. Hookers I Have Loved: Writing Catchy Openings (Eric Grawe)
  • 4 pm. Techniques for Writing About Emotion in Prose (Mercedes Lucero)

Classes are for writers with various levels of experience. Prose writers may find the poetry workshops useful, and vice versa. In order to give as many people as possible a chance to take the classes registration is limited to five or fewer classes per person. You may register for a maximum of five classes. Each is taught by a graduate student in creative writing at Northwestern.

To register, please email Apprentices@U.northwestern.edu with the classes you wish to register for and your phone number, or call 847-491-5612.  Classes are 50 to 55 minutes long. Please bring paper, pen or pencil, or laptop. Classes are free but donations will be accepted to benefit Young Chicago Authors.

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Harpur Palate, a biannual literary journal published by graduate students at Binghamton University, has recently begun a Reviews section on its blog, and has issued a subsequent call for submissions. Harpur Palate is now looking for quality reviews of books (or chapbooks) of fiction, poetry, and creative nonfiction.

Review Guidelines: Harpur Palate welcomes unsolicited, previously unpublished reviews for the web review section of its blog. Reviews may be on recently published short story collections, novels, poetry full-lengths, or poetry chapbooks by emerging or established writers. In terms of length, brevity (2,000 words or less) is optimal, but they will consider reviews up to 5,000-words. The review should merit its length. They will consider reviews written in any style, from the more objective to the unabashedly subjective and narrative. They only ask that reviewers support their conclusions with contextualized text from the work being reviewed. Please avoid plot summaries that don’t illustrate important ideas.

Accepted reviews will be published on Harpur Palate’s blog, noted in the Harpur Palate journal, and promoted on Harpur Palate’s Facebook page.

Submit a review with a brief cover letter via our Submittable page. Simultaneous submissions are acceptable.

Upcoming Readings Featuring MAWP Students and More

In Student News: Michael Van Kerckhove (M.A.W.P.) will be part of the inaugural line-up of That’s All She Wrote, a brand new entry into the alive and well Chicago live-lit storytelling scene. Michael will be debuting a new personal story at this reading, and you can support him and enjoy the live literature of That’s All She Wrote at Swim Cafe at 1357 W. Chicago Avenue this Sunday, October 14th at 8:00 p.m. (doors open at 7:30). The event is free and food will be available. Swim Cafe is BYOB.

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In honor of the National Day on Writing, The University Center for Writing-based Learning’s Writers Guild will present a public reading of original works of non-fiction, fiction, essays, and poetry by its members, and all are invited to attend. The event will take place on Thursday, October 18th, from 4:00-5:30 p.m. on the second floor of the LPC Student Center in the Performance Area.

Members of The Writers Guild including M.A.W.P. students Raul Palma, David Mathews, and Mark Brand, alum Jennifer Finstrom (M.A.W.P. ’12) and other DePaul undergraduates and faculty members will share pieces of their writing that they have been discussing and critiquing throughout the quarter. Writers Guild and Writing Groups staff members will be on-hand to share information about our work and how to get involved with the UCWbL and The Writers Guild.

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In addition to this reading, the UCWbL will also be hosting a program called National Day on Writing Literacy Narratives on Wednesday, October 17th. Students, faculty, and staff who would like to share their literacy narrative in a recording session can join the UCWbL on this day from 10am-12pm in the LPC Student Center Atrium or from 1-3pm on the 11th Floor of the Loop DePaul Center to record a quick statement on why you write or to describe an impactful literacy experience. These videos will be shared via the UCWbL YouTube page as a celebration for National Day on Writing.

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And finally, if you’re looking to do some literary sightseeing this weekend, the Poetry Foundation will once again take part in the Chicago Architecture Foundation’s Open House Chicago, a free public event that offers behind-the-scenes access to more than 150 buildings across the city and suburbs. Visitors to the building on Saturday, Oct. 13th and Sunday, Oct 14th from 9:00 a.m.–5:00 p.m. both days will have an opportunity to explore the space over the weekend as well as get a rare glimpse into the making of Poetry magazine, celebrating its centennial in 2012. The Poetry Foundation is located at 61 West Superior Street, and you can find out more about them at poetryfoundation.org.

Calls for Submissions and Papers

The Chicago Reader, Chicago’s largest free weekly newspaper and a nationally recognized leader in the alternative press, is now accepting submissions for its 13th annual Pure Fiction issue—a collection of short stories by local fiction writers paired with illustrations by local artists.

Please send your fiction of up to 3,000 words to fiction@chicagoreader.com by November 1st, 2012. Featherproof Books Zach Dodson will be the guest curator for this coming Pure Fiction issue, and those published will be paid for their work. Please see the Submissions Page for complete details.

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Sundog Lit is a new, independent, online literary magazine and is seeking submissions for their first issue. They also accept and read submissions year-round. Sundog Lit is committed to publishing dynamic, vibrant, earth-scorching literature by emerging and established writers. They publish flash fiction, short stories, creative nonfiction (personal, lyric, segmented, and hybrid essays), and poetry.

Please visit SundogLit.com to check out the site and to read the complete submissions guidelines. Stay tuned for periodic prompts, weekly content, and new features.

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The Department of Comparative Literature at the University of Michigan has issued a call for papers for Comparative Literature Intra-Student Faculty Forum (CLIFF)
 a graduate student conference. The conference, titled “X is Political” will be held on Thursday, March 28th and Friday, March 29th 2013

 at the University of Michigan in Ann Arbor. There will be a Keynote Address by Professor Chantal Mouffe
 of University of Westminster

.

CLIFF describes the topic of their conference as follows:

X Is Political. For X, read elections, race, class, gender, identity, economics, war, the body, the personal, sex, clothes, teaching, food, culture, nature, the exhibition you saw yesterday and this CFP you are reading today. Stop looking, there’s no way out: everything is political.

The by-now well established habit in academic and activist circles of expanding the political to include just about anything has been productive and most often emancipatory, enabling us to consider articulations of difference as grounds for struggle and self-assertion rather than abnormality. Still, critical space must be made to pause and reflect on where that politicizing impetus comes from, who it benefits at whose expense, what problems it solves, and what problems it creates.

As literary and cultural critics, we wish to consider “X Is Political” itself as a political statement that does not only describe, but also does things. What do we mean when we say that X is political? What are we trying to achieve? Are we reclaiming control over X? Are we trying to dignify X? Do we risk turning the
political into a potentially normative and narrowing framework? Can it be emancipatory to deny that X is political? What becomes of X when it is made political? What becomes of politics when it encounters X?

Since the political as a category is extended to everything, papers might engage with these questions from any number of frameworks, including but not limited to: literature, race studies, gender and sexuality, social sciences, political science, post-colonial studies, law, philosophy, history. This list is meant to
inspire engaging work, rather than exhausting all possible topics.

Paper proposals of at least 1,000 words should be sent by November 30th, 2012 to cliffconference2013@gmail.com. Presenters will be notified by January 15, 2013.

Early October Events

Believe it or not, next week begins the month of October, and once again, there are tons of great literary events happening on and around campus. Grab your calendars, and we’ll see you there!

One Book One Chicago at Depaul- Oct. 2nd and 10th

Every year, the city of Chicago and Chicago Public Libraries host a series of events for the One Book, One Chicago (OBOC) program, an “opportunity to engage and enlighten our residents, foster a sense of community and create a culture of reading in our city.” DePaul University is proud to be the host of two OBOC events this October:

The Book Thief and the History of Reading
Tuesday, October 2nd, 6:00 p.m. – 8:00 p.m.
DePaul University, Lincoln Park Campus
Arts and Letters Hall, Room 207
2315 N. Kenmore Avenue
For The Book Thief’s Liesel Meminger, reading is a means of both resistance and reconciliation. With attention to literature’s changing material and interpretive practices, DePaul faculty—Jenny Conary and Marcy Dinius, English; Lisa Z. Sigel, History; and Traci Schlesinger, Sociology—discuss what it has meant to be a reader in different times and places, from early modern Europe to today. Sponsored by DePaul University’s Department of English.

The Book as Object
Wednesday, October 10th, 7:30 p.m. – 9:00 p.m.
DePaul University, Lincoln Park Campus
John T. Richardson Library, Room 400
2350 N. Kenmore Avenue
A book exists as more than just a vessel for the written word—it’s an artwork, a collectible and, of course, a target for thieves. Join librarian Kathryn DeGraff and artist Matthew Girson, along with cultural critic Rachel Shteir, author of The Steal: A Cultural History of Shoplifting, as they discuss various personal and cultural ways of experiencing The Book beyond reading. Sponsored by DePaul University’s Department of English.

To find out more about OBOC, this year’s selection, and other events around the city, visit the official OBOC events page. All OBOC events are free and open to the public.

Rose Metal Press Flash Nonfiction Reading- Sept. 28th

Rose Metal Press, co-founded by the DePaul English Department’s Kathleen Rooney, will be celebrating the release of their new book The Rose Metal Press Field Guide to Writing Flash Nonfiction, which “features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination” with a reading this Friday, September 28th.

The reading will take place at The Book Cellar, located at 4736-38 N Lincoln Ave., and will feature readings by new DePaul faculty member Barrie Jean Borich, as well as Phillip Graham, Jenny Boully and Sue William Silverman, who are all featured in the collection. This event is free and open to the public. See the event page for more information.

DePaul Humanities Center Presents: Indigenous Poetry- Oct. 4th

The DePaul Humanities Center invites everyone to join them at the opening event for the Humanities Center’s New Voices in the Humanities series on Thursday, October 4th, 2012 at 6:00 p.m. in room 314 of the DePaul Student Center (a reception will precede at 5:30 pm) for an evening of poetry and discussion with three of North America’s most exciting young Indigenous poets.

Natalie Diaz, Santee Frazier, and Orlando White will read selections from their poetry, followed by a discussion and audience Q&A moderated by DePaul Professor Mark Turcotte, exploring ways in which the poets’ Native beliefs and traditions influence and are expressed in their art.

Click on the poster to read more about this event and its three featured poets.

Visiting Writer’s Series: “Writer as Editor/ Editor as Writer” – Oct 5th

The second event in the DePaul Visiting Writer’s Series features Phong Nguyen and Michael Nye and is entitled “Writer as Editor/Editor as Writer” and it takes place on Friday October 5th from 11:30 AM-1:30 PM in Room 115 of the Richardson Library. Lunch will be served.

Please click on the poster for more information about the two featured writers and their upcoming conversation.

Society of Midland Authors Presents: An Evening with Mahmoud Saeed – Oct. 9th

Chicago author and DePaul Visiting Professor Mahmoud Saeed, a native of Iraq, will discuss his novel The World Through the Eyes of Angels, in a Society of Midland Authors program Oct. 9th at the Cliff Dwellers Club, along with one of his translators, Allen Salter of Chicago.

Saeed has written more than 20 novels and short story collections, starting with “Port Saeed and Other Stories” in 1963. That same year, Iraq’s first military-Baathist government seized two of his novels and imprisoned him for a year. After being incarcerated six times, Saeed left Iraq in 1985. He has lived in the United States since 1999, and he now teaches Arabic and Arabic culture at DePaul University.

Salter has lived and traveled in Latin America, Europe and the Middle East. He has worked as a teacher and translator. Under the pseudonyms Sam Reaves and Dominic Martell, he has published 10 novels.

They will speak at 7 p.m. Tuesday, Oct. 9, at the Cliff Dwellers Club, 200 S. Michigan Ave., 22nd floor, Chicago. A social hour, with complimentary snacks and a cash bar, begins at 6 p.m. Reservations are not required. Admission is free, but the Society will accept donations to defray the cost of programs. For more information, see www.midlandauthors.com.

Catching Up with Summer News

Now that we’re back from summer break, we’d like to congratulate a few of our alumni and faculty on their summer accomplishments:

In faculty news, please join the English Department in congratulating Prof. Hugh Ingrasci on the publication of Robert Penn Warren’s All the King’s Men, a collection of critical essays that he co-edited with the late Michael J. Meyer for Rodopi Press.  Prof. Ingrasci helped select the essays and contributed a lengthy introduction for the volume.  After Meyer’s death in 2011 , the publisher asked Ingrasci to sign on as editor and finish the book.  As he describes it, the publication of the collection is a “bittersweet feat.”  The book is on display in the English Department’s publications case on the third floor of Arts & Letters Hall near the main staircase.

In alumni news, congratulations to Bryan Kett (MAWP ’12), who got a position as an Associate Writer/Editorial Assistant with GA Communication Group in downtown Chicago. Concerning this new position, Bryan says, “It not only feels great to be employed, but to also be writing.”

Congratulations also to Zhanna Vaynberg (MAWP ’12), who is having a short story published in Bellevue Literary Journal. Zhanna’s story, called “Things You Should Never Tell Your Mother” will be featured in the upcoming September issue.

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If you’re looking for a literary event to attend tomorrow evening, Printers Row Live! is offering students free tickets to their Friday night reading and interview with Juila Keller. On Sept. 7th at 7:00 p.m., Tribune literary editor Elizabeth Taylor will interview former Tribune culture critic and Pulitzer Prize recipient Julia Keller at the Tribune Tower.  They will discuss Keller’s new mystery novel, A Killing in the Hills. To receive the discount, students can use the discount code STUDENT15 on the ticketing site to claim their free ticket. chicagotribune.com/news/tribnation/events/chi-sept-7-printers-row-live-julia-keller.

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Silver Birch Press invites all new and emerging writers to submit your work to its upcoming Silver Anthology, which will be edited by Joan Jobe Smith & Melanie Villines. Details are as follows:

GUIDELINES & DEADLINE

THEME: SILVER – all contributions need to touch on the theme in some way. Submissions can be new or previously published work (if you hold reprint rights).

TYPE OF MATERIAL:

  •         Poems (up to three)
  •         Short stories (up to 2,000 words)
  •         Novel excerpts (up to 2,000 words)
  •         Essays (up to 1,500 words)
  •         Creative nonfiction (up to 2,000 words)
  •         Short plays or screenplays (performance pieces up to 10 minutes in length)
  •         Other literary forms you can envision (up to 2,000 words)

DEADLINE: October 15th, 2012 (We want to publish the book in time for Christmas!)

PAYMENT: As payment, each contributor will receive one (1) copy of the anthology (not sure of its length at the moment – but it could reach 250 pages) – and can purchase additional copies at our cost (no markup by SBP). Contributors will retain all rights to their work – and grant Silver Birch Press one-time use of the material.

WHY SILVER? The publisher is Silver Birch Press, so silver seems an obvious choice. But the selection really goes deeper than that. We like this theme because it’s rich, varied, and offers a wide range of possibilities – from second-place finishes, to eating utensils, 25th wedding anniversaries, hair color, swirling fog, coins, bells, jewelry, the tin man, space suits, car bumpers, airplanes, family heirlooms, and on and on. Let silver spark your imagination.

HOW TO SUBMIT: Please email your entry as a MSWord document or a PDF attachment to silverbirchpress@yahoo.com.

NOMINATIONS: If you’d like to nominate a colleague for the anthology, please send an email to silverbirchpress@yahoo.com.

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And finally, please see the following three Calls for Papers from three very different conferences with rapidly approaching deadlines:

Newberry Center for Renaissance Studies
2013 Multidisciplinary Graduate Student Conference Call for Papers

Deadline: Monday, October 15, 2012
Conference dates: January 24-26, 2013

The Newberry Center for Renaissance Studies invites abstracts for fifteen-minute papers from master’s or PhD students, on any medieval, Renaissance, or early modern topic in Europe or the Mediterranean or Atlantic worlds. We encourage submissions from disciplines as varied as the literature of any language, history, classics, anthropology, art history, music, comparative literature, theater arts, philosophy, political science, religious studies, transatlantic studies, disability studies, and manuscript studies.

Eligibility: Proposals are accepted only from students at member institutions of the Center for Renaissance Studies consortium, who may be eligible to apply for reimbursement for travel expenses to attend.

Submissions are accepted online only at newberry.org/01242013-2013-multidisciplinary-graduate-student-conference.

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Nineteenth Century Studies Association
34th Annual Conference
Fresno, California  March 7-9, 2013
Graduate Forum Call for Papers

Building on the Nineteenth Century Studies Association’s 2013 conference theme of Loco/Motion, graduate students are invited to submit proposals about the medium of pilgrimage in the long nineteenth century (1789-1914) to a graduate student forum session.  From religious travels to personal journeys (actual and imagined), this panel seeks abstracts that will address the role of the pilgrim as traveler in the nineteenth century, whether in America or abroad.

Abstracts of 250 words (including the author’s name, paper title, and institutional affiliation) should be sent with a one page CV by email to Emily Bailey at ejb43@pitt.edu no later than September 14, 2012.

Presenters will be notified of their acceptance in November 2012.

For further details about the NCSA 2013 conference, please visit: nineteenthcenturystudiesassociation.org/uploads/9/7/7/9/9779672/ncsa_cfp_flyer.pdf.

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The Writing by Degrees Conference 2012, which we posted about last spring, has announced an Extended Submissions Deadline. Writing by Degrees is now in its 13th year at Binghamton University in NY, and is one of the few conferences that is for graduate students with graduate-only panel presenters. The deadline has now been extended to September 10th so please submit a creative or academic panel proposal to writingbydegrees2012@gmail.com.

Writing by Degrees invites exciting and high quality submissions by graduate students for creative readings and academic panels.  Poets, prose writers, essayists, and critics from all theoretic and aesthetic backgrounds are welcome.  Possible academic topics include creative writing pedagogy, craft across the genres, critical theory and creative work, the role of writing in the political world, and the creative writing job market. The conference’s two keynote speakers are MAWP Professor Christine Sneed and poet Marie Howe.

For more information on how to submit a proposal, please visit writingbydegrees.binghamton.edu/papers.

Career Panel and Job Postings from Chicago Artists’ Resource & More

This Thursday, May 24th, Chicago Artists Resource invites you to a panel entitled “Market Your Art Experience for Your Day Job” at 6 pm on the 5th Floor of the Chicago Cultural Center, 78 E. Washington. Details are as follows:

Can directing plays get you a job leading a creative team? Does curating art exhibits constitute “event planning” on your resume? Surveys indicate that artists are more highly educated than the general population, and yet many earn their livings in low-skill, low-wage jobs—waiting tables, temping, and walking dogs. What other kinds of jobs are available to people who want to schedule their lives around their art, not around their day job? Join this panel discussion on how arts workers can reposition their skills to get better paying employment. Admission free.

Panelists:

Christie Andersen is the Career Development Specialist at Columbia College Chicago. She helps students prepare for careers after graduation. This often involves helping them translate creative skills into job options, juggle job versus passion, and understand what companies look for when hiring. Eventually, this also involves weaving skills and strengths into resume and cover letters that get results.

Keith Griffith is Editorial Project Manager for Groupon Getaways. At Groupon, he oversaw the interviewing, hiring, and tonsuring of more than 100 writers. A writer and editor, Griffith is also a theater critic for the Chicago Reader.

Nick Keenan is Chief Technology Officer at Marshall Creative, an interactive agency founded by directors, designers, and producers from the Chicago theatre and comedy community. Nick worked for eight years as a sound engineer at the Goodman Theatre, while designing sound as a freelancer throughout Chicagoland. He began his life in web programming by automating the popular theatre jobs site BackstageJobs.com, and has since developed web sites and web applications for corporate brands and individuals in the real estate, financial, health care and cultural sectors.

Rose Walker is a recruiter with the Chicago office of Creative Circle, a national creative staffing business offering both freelance and full-time opportunities to candidates in design, creative technology, marketing and advertising functions.

Produced and moderated by John Carnwath, CAR Theater Researcher.

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The Chicago Department of Cultural Affairs and Special Events has posted 3 full-time positions and 10 paid student internships. All have application deadlines of May 31, 2012. Follow the links for details on each.

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The Printers Row Lit Fest is on Saturday and Sunday, June 9th and 10th, 2012, and they are looking for volunteers! Volunteers that sign up are asked to work 6-8 hours shifts, can sign up for one or both days, and can choose up to three volunteer roles that you think you’d enjoy best. Volunteers get a free Printers Row Lit Fest T-shirt, free lunch, and behind-the-scenes access to the biggest literary event in the Midwest.

To volunteer for the Printers Row Lit Fest, please read the full instructions and register online. For more information about the Fest in general, visit  chicagotribune.com/entertainment/books/printersrowlitfest.

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Reminder: Are you graduating/have you graduated from the DePaul MAE or MAWP during the 2011-2012 academic year? Would you like to see your profile on the Alumni section of Ex Libris? Email Maria at mhlohows@depaul.edu with your info by Tuesday, May 28th!